Latest Trailers, Movie News & Gaming Reviews
Latest Trailers, Movie News & Gaming Reviews
Release Date: 1993-02-26
Post Views: 3
TMDB Rating: 7.4/10 from 4,311 votes on TMDB
That puts it ahead of most Crime releases from 1993 rated on TMDB right now.
This page is refreshed live from TMDB, so the rating, cast and streaming details above reflect the latest data every time it loads.
An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
Tagline:The adventures of an ordinary man at war with the everyday world.
Genres: Crime|
Drama|
Thriller|
Browse more Crime movies on Filmoria →
Release Date: 1993-02-26
Movie Revenue: $40903593
Movie Runtime: 113
Language: English, Spanish, Korean
Falling Down Box Office Collection: $25000000
Falling Down was released on 26 February 1993. It is a Crime, Drama, Thriller film with a running time of 113 minutes. Produced in United States of America. This page is part of Filmoria's growing Crime collection, covering everything from UK release dates to where to watch.
Filmoria's Take: It has picked up a decent, broadly positive response. Now an established part of the catalogue rather than a new release. If you are into Crime, it is worth a look.
Rent:
Apple TV Store
Rakuten TV
Amazon Video
Sky Store
YouTube
Buy:
Apple TV Store
Rakuten TV
Amazon Video
Sky Store
YouTube
Streaming availability provided by JustWatch via TMDB for the UK region. Availability can change — please verify before you watch.
Having just watched this movie I can say that I enjoyed it, not overly so. Its not really a tale of urban reality more that the everyday annoyances that we do nothing about and this guy turns them into a personal insult. Its starts normally enough, stuck in traffic, beep noises and drilling on a hot day, his AC is broken, the window is broken. Instead of just shrugging it off with that Monday feeling he just abandons his car and goes for a walk, to start with its a shop owner with overpriced drinks that gets his shop smashed up a bit, later only when threatened with violence himself does he defend himself against 2 gang members. This is where things start to suddenly go weird, the gang members drive round and stumble across him somehow, (I'm British but I think LA is a little too big for that) then spray bullets in a drive by 20ft away and miss him completely but hit everyone around him and then they promptly crash. He walks over to the car, collects a bag of guns from it then goes and shoots up a burger bar because they are not serving breakfast, which he then changes his mind to lunch anyway and it continues from there. I don't know if this was meant to show some sort of mental brakedown due to his previous life choices but his empathy just disappears. At the start you could relate to the character but the more you watch the more you begin to distance yourself from that notion until you realise you just watched a movie where a guy went round killing people for no reason other than anger at himself for destroying his family life. It leaves me wondering if that was the directors intention or a happy coincidence to push that prospective on the viewer.
Review via The Movie Database (TMDB)
## Not about the guy This movie isn't about the main character, William 'D-Fens' Foster. He does some crazy things and I guess that what some people remember, but if you really watch the movie you see that it puts society's erosion of the U.S. "normal guy" on display. People who "do everything right": get a degree, marry, make babies, work for a corporation. They feel disillusioned, cheated out of the promise of the American dream. Class divides, racism, toxic masculinity, coroporate greed, urban decay, breakdown of interpersonal connections and flat, sloppy hamburgers that look nothing like the picture on the menu. They are all present in Joel Schumacher's chronicle of the late 80's and early 90's. Even the inaction of police under the strain of declining budgets. His ex-wife that dodged a bullet by getting out before D-Fens got violent, is almost ridiculed for being oversensitve, instead of rewarded for her insight and protective instincts. There are so many things we can see through D-Fens' interactions, but also his wife and the excellent portrail of Prendergast by Robert Duval. In essence, Falling Down is less about D-Fens as an individual and more about the society that shaped him and countless others like him, not coming to terms with the weight of systemic failures. It’s a film that leaves viewers with questions rather than answers. Even decades later people will recognise themselves in the characters, the neighbourhoods and the way they navigate life in the shadow of the American dream.
Review via The Movie Database (TMDB)
