OTT & Streaming News, Movie Reviews & Gaming Updates


Dune: Part Three: 10 Things to Know Before the 18 December UK Release
Dune: Part Three opens in UK cinemas on 18 December 2026, and BFI IMAX's 70mm opening weekend has already...
Hollywood’s Production Exodus: 12 Things to Know About the Unions’ 25-Year Report
Seven Hollywood unions released an EY report on 5 October 2026 showing the US share of studio film production...
Digger Review: 12 Things That Decide Tom Cruise and Iñárritu’s Divisive Satire
Digger review: Tom Cruise gives his boldest performance in decades and Lubezki's VistaVision images dazzle, but Iñárritu's climate satire...
Baywatch (2017) Review
Of Baywatch’s massive estimated budget of $90 million – which tiptoes the fine line between impressive and of absolute excess – it’s easy to imagine a fair proportion of it going on oil in order to maintain that glistening grotesqueness appropriated by The Rock. If Orson Welles struggled with... Read more
Vanity Fair Showcases Exclusive Star Wars: The Last Jedi Covers
For the upcoming issue of Vanity Fair, the U.S magazine has unveiled four beautiful alternate Star Wars covers. To highlight the 40th anniversary of the saga, and VF’s special feature on the upcoming film – The Last Jedi. The images feature the returning cast from The Force Awakens, as well... Read more
Cannes 2017: Wind River Review

Jeremy Renner & Elizabeth Olsen star in Taylor Sherdian’s exhilarating Wind River. Our official verdict from Cannes is here.

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Cannes 2017: Radiance Review
Cinema is an experience very much guided by what we see unfolding in front of us, so when our sight is taken from us there are other means for individuals to still take something away from a film. Looking to explore just that is Naomi Kawase’s Radiance, a film... Read more
Cannes 2017: The Killing Of A Sacred Deer Review

Colin Farrell and Nicole Kidman are luxuriously dark in The Killing of a Sacred Deer. Our review from Cannes is in.

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Cannes 2017: Happy End Review

Chilly Austrian maestro Michael Haneke returns to Cannes with Happy End; a masterful social satire. Here’s our review.

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Cannes 2017: How To Talk To Girls At Parties Review
Nicole Kidman is a woman who is quintessentially the highlight of this year’s Cannes Film Festival, with multiple films to her name including The Beguiled and The Killing Of A Sacred Deer, and another film she takes a bow in is How To Talk To Girls At Parties. The... Read more
Back in 2003, Pirates of the Caribbean: The Curse of the Black Pearl was taking the seven seas by storm with its rip-roaring tales of pirates, ghosts and treasure, and it marked the start of the swashbuckling franchise for Disney. Based on the popular ride at Disney World, Pirates... Read more
Cannes 2017: The Rider Review
Part of why the Cannes Film Festival is so prestigious is that the Directors Fortnight selection of films can feature some truly remarkable cinema forged by exceptional talent who may not otherwise be discovered. Under that banner this year comes the rather remarkable The Rider from director Chloe Zhao,... Read more
Cannes 2017: Mobile Homes Review

Imogen Poots stars in drifting family drama, Mobile Homes. Our review from Cannes is in.

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Cannes 2017: The Meyerowitz Stories Review
Marking the second presence of Netflix among the Official Competition entries at this year’s Cannes Film Festival, Noah Baumbach’s comedy The Meyerowitz Stories marks what is a rather unheard of occasion in which a film involving Adam Sandler will actually have you applauding at its conclusion. Joined by the... Read more
Michael Giacchino Revives Classic Spidey Theme For Spider-Man: Homecoming
American Oscar-winning composer Michael Giacchino (Star Trek, Rogue One, Inside Out), is currently hard at work completing the score for Jon Watts’ Spider-Man: Homecoming – The first solo outing for the rebooted franchise. And this past Friday (May 19th), Giacchino gave fans a small taster of what to expect... Read more

Movies News & Reviews: Frequently Asked Questions

What does Filmoria’s Movies section cover?

This section brings together all of Filmoria’s film coverage in one place — box office and casting news, reviews of new releases, festival and awards coverage, and features on the films and franchises people are talking about.

What’s the difference between the news and reviews here?

News covers announcements, casting, trailers and box office as they happen; reviews are longer, considered pieces written after a critic has actually seen the film, with a verdict and star rating.

How often is this page updated?

New articles go up as stories break and as films are released, so it’s worth checking back regularly or browsing older coverage using the pagination above.

Which films does Filmoria review?

We cover major UK and international cinema releases, home entertainment (digital, DVD and Blu-ray) releases, and festival premieres, with a particular focus on British film.

Are the reviews spoiler-free?

Reviews are written to be safe for anyone who hasn’t seen the film yet, with any major plot details clearly flagged before they’re discussed.

Who writes Filmoria’s movie reviews?

Every review and news piece carries a named byline. You can see who wrote what and browse their full archive from the author link on each article.

Can I suggest a film for Filmoria to cover?

Yes — get in touch via our Contact Us page with the title and where it’s showing or streaming, and we’ll take a look.

Does Filmoria cover film festivals and awards season?

Yes, including Cannes and the London Film Festival, along with BAFTA and Oscar season coverage as it happens.

How do I find coverage of a specific film?

Use the search icon in the site’s main menu, or browse this Movies section page by page using the pagination above — the most recent articles appear first.

Is Filmoria’s movie coverage independent?

Yes. Reviews and opinion pieces reflect the independent view of the credited writer. Some content is produced in collaboration with commercial partners, and that’s made clear where it applies — see our About Us page for more on our editorial approach.